Period Drama

Known for rich costuming and production design, these videos explore films set in a distant past, often based on historical events, locales and/or figures.
One Way To Deconstruct There Will Be Blood — Or Any Movie
By Nerdwriter1
How Kubrick Achieved the Beautiful Cinematography of Barry Lyndon
By CinemaTyler
There Will Be Blood | The Search for Family
Barry Lyndon (1975) - The Use of the Zoom Shot
By Marta Ruggeri
Does God Control Our Lives? - Amadeus | Renegade Cut
By Renegade Cut
There Will Be Blood | How to Stage, Block and Edit a Scene
By Cinema Beyond Entertainment
Creating Daniel Plainview [1/2]: Research, Voice, Costume, and Development | There Will Be Blood
By CinemaTyler
Creating Daniel Plainview [2/2]: Method Acting, Direction, and False Starts | There Will Be Blood
By CinemaTyler
Phantom Thread - Exploring The Twisted Relationship 
By Jack's Movie Reviews
Scorsese’s The Age of Innocence: An Analysis
By Is This Just Fantasy?
There Will Be Blood Analysis
By Adam Holliday
There Will Be Blood with gaze locations of 11 viewers
By TheTIEMProject
There Will Be Blood: Vocal Control in Movies
By Now You See It
Sofia Coppola: On Directing
By American Film Institute
History Buffs: Amadeus
By History Buffs
Framing the Faith of Ida
By Steven Vredenburgh
Phantom Thread - What It Means To Love | Cinema Cartography
By Cinema Cartography
The Lord Can’t Hear You, Daniel: The Impact of Silence in THERE WILL BE BLOOD
By One Perfect Shot
Staff Pick
The Cinematography of There Will Be Blood (2/2): Location, Night Filming, Interiors, and the Mansion
By CinemaTyler
Barry Lyndon - The Unworthy Protagonist
By Eyebrow Cinema
Phantom Thread | Why Finding Love, Requires Letting Go
Academy Conversations: The Favourite
By Oscars
An Introduction to Terence Davies’s SUNSET SONG
By Oswald Iten
Barry Lyndon Analysis
By Malmrose Projects
Barry Lyndon – Renegade Cut
By Renegade Cut
BARRY LYNDON | Structure, Themes and Narrative (Part 2)
Barry Lyndon | The Final Duel [Scene Breakdown]
By CinemaTyler
BARRY LYNDON | The Forgotten Masterpiece (Part 1)
Geraldine Page Wins an Oscar, The Color Purple Doesn't
By Be Kind Rewind
Harvey Weinstein and the Oscars: How Gwyneth and Shakespeare in Love Won
By Be Kind Rewind
How One Movie Achieved Visual Perfection | Film Perfection
By Filmento
How They Created the Naturalistic Look of 'There Will Be Blood' (1/2) | Cinematography
By CinemaTyler
Inside Llewyn Davis: Explain the Cat
By Filmbolism
Inside Llewyn Davis: Four Reasons to Watch It Again
By Lanny Boyer
'Marie Antoinette' is a (Post) Modern Revolution
By Fandor
Olivia Colman, Emma Stone & Rachel Weisz on The Favourite
By Film4
Oprah Winfrey talks playing Sofia and The Color Purple in 1985 interview
By Eyes on Cinema
Painting a Film: An Analysis of Barry Lyndon
By ChrisClarkeCinema
Phantom Thread: Elegance in Lighting
By hyrai
Production Design in The Favourite
By Film4
Quiet Legitimacy - Wildlife Analysis
By Napkins Unite
The Directors Series - Paul Thomas Anderson [3.7]
By Cameron Beyl
The Favourite Explained: The Imbalance of Power
By The Take by ScreenPrism
The Favourite | How to Achieve Success
By The Discarded Image
The Favourite - Oscar Nominated Script Breakdown
By Tyler Mowery
The Favourite - When Style Becomes Substance
By Jack's Movie Reviews
The New Canon: 'Meek's Cutoff'
By Fandor
The Price of Ambition
By Storytellers
The Thinking Machine 22: The Dressmaker and the Cook
By De Filmkrant
There Will be Blood (2007) Power and Madness | Film Analysis
By Thomas Pollock
There Will Be Blood - Renegade Cut
By Renegade Cut
This Movie Helped Me Cope With Depression
By Ryan Hollinger
There Will Be Blood and Symmetry
By Press Play Video Blog
Vivian Kubrick shows Stanley's legendary Carl Zeiss Planar 50mm f/0.7 lens used for Barry Lyndon
By Eyes on Cinema
Inside and Outside Llewyn Davis: Five Uneasy Pieces (Coen Brothers)
By Rick Warner
SHORT CUTS — Episode 1: Milkshakes, Monopoly & Murder
By Cameron Beyl
There Will Be Blood / Through Numbers
By Ali Shirazi