Written on the Wind
by Katalin György
Katalin György explores the editing in Douglas Sirk’s 1956 melodrama Written on the Wind, focusing on how graphic overlays created by fades between scenes provide new and hidden commentary on characters in the film.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.