Wes Anderson / Color
by Andres Pena
In this video essay, Andrés Peña presents us with a breakdown of color palettes from some scenes in Wes Anderson’s The Grand Budapest Hotel, The Royal Tenenbaums, and Moonrise Kingdom.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.