The Face of Another - Videography and Identity | Cinema Cartography

Cinema Cartography presents an in-depth analysis of Hiroshi Teshigahara’s 1966 psychological thriller, The Face of Another, exploring how the existential malaise plaguing Japan in the wake of WWII gave rise to the film before analyzing Teshigahara’s use of shifting perspective and experimental, often abstract visuals to construct the identity crisis of its protagonist.