Symmetry in Wes Anderson’s Editing

Using split screen, Max Tohline demonstrate how editor Barney Pilling built off director Wes Anderson’s center framing style, employing symmetrical editing strategy in the way he cut The Grand Budapest Hotel.

Max Tohline

Videos: 5

Case Studies: How Editing Shapes the Story

Wes Anderson: Style & Technique

Wes Anderson

The Grand Budapest Hotel