Subjective Camera in Black Swan

ScreenPrism devotes this video essay to analyzing a particular filmmaking technique in Darren Aronofsky’s Black Swan—the subjective camera. The film’s dynamic, subjective perspective keeps us close to the protagonist, Nina, inviting us to see the world through her eyes.


Natalie Portman


Point of View (POV)


Psychological Thriller


Darren Aronofsky


Black Swan