SFX Secrets: False Long Take
Did you know Alejandro González Iñárritu’s film, Birdman, has over 100 cuts throughout the film? By looking at films with long take sequences that appear to be continuous, this video essay seeks to find out—where do they hide the cuts?
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.