‘Requiem’ for an Editor
While it’s relatively easy to identify good acting and good cinematography, good editing can be trickier to spot. Jacob T. Swinney looks to Darren Aronofsky’s Requiem for a Dream to illustrate how, above all, good editing makes us feel something.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.