Memento (2000) — The Subjective Perspective

CinemaStix takes a look at the use of subjectivity and subjective filmmaking in Christopher Nolan’s Memento (2000) and in film in general. How do filmmakers like Nolan use a subjective camera and other vital techniques to put their audience into the heads of their protagonist?


Christopher Nolan: Style & Technique


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Directing


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Technique Analysis: Visual Storytelling


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Drama/Mystery


Christopher Nolan


Memento