Memento (2000) — The Subjective Perspective

CinemaStix takes a look at the use of subjectivity and subjective filmmaking in Christopher Nolan’s Memento (2000) and in film in general. How do filmmakers like Nolan use a subjective camera and other vital techniques to put their audience into the heads of their protagonist?

Christopher Nolan: Style & Technique

CinemaStix | Creator Spotlight


Film Analysis

NEW | Staff Picks

Technique Analysis: Visual Storytelling

Crime Thriller


Christopher Nolan