Male Gaze Theory in “Woman in the Dunes” (1964)

Utilizing Laura Mulvey’s theory on the male gaze in her notable essay, “Visual Pleasure and Narrative Cinema,”LA CINÉASTE analyzes the role of the female main character in Hiroshi Teshigahara’s Woman in the Dunes (1964).

LA CINEASTE

Videos: 7


Criterion Collection


Gender, Sexuality & Identity


Arthouse


Psychological Thriller