
Woman in the Dunes
Directed by Hiroshi Teshigahara
Male Gaze Theory in “Woman in the Dunes” (1964)
Utilizing Laura Mulvey’s theory on the male gaze in her notable essay, “Visual Pleasure and Narrative Cinema,”LA CINÉASTE analyzes the role of the female main character in Hiroshi Teshigahara’s Woman in the Dunes (1964).