Language of the Image: Bradford Young
Fandor analyzes the work of one of the most promising cinematographers working today—Bradford Young—whose work on films including Arrival, Selma and Ain’t Them Bodies Saints, demonstrates the mark of a singular talent.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.