Framing the Picture: Editing and Cinematography in Whiplash’s Ending
by Matt Marlin
Matt Marlin analyzes the cinematography and editing in the final scene of Damien Chazelle’s Whiplash to illustrate how the film’s ending provides insight into the power dynamics and relationship between the film’s main characters.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.