Fantastic Films: Hausu and Embracing Cinematic Artifice
by Fool Fantastic
Fool Fantastic discusses the Japanese cult classic House (1977), exploring its connection to French illusionist and early cinema pioneer, Georges Méliès, and how it uses its strange form to obfuscate a feminist message.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.