Fandor Italian Style: Michelangelo Antonioni
Tune in for an exploration of blocking and staging in Michelangelo Antonioni’s iconic “Alienation Trilogy”—L’Avventura (1960), La Notte (1961), and L’Eclisse (1962)—and how the director creates meaning through the use of physical space and mise-en-scène.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.