CHRISTOPHER NOLAN: THE PROS & CONS OF A PRESTIGE FILMMAKER
Leigh Singer analyzes the structure of Christopher Nolan’s, The Prestige, drawing parallels between the film’s 3-act story structure—modeled after a three-part magic trick—and the filmmaker’s wider body of work.
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.