Between the Scenes: Scene Boundaries and Emotion

by Borgus Network

Using examples from Stanley Kubrick’s 2001: A Space Odyssey, James Cameron’s Titanic, and Stanley Kramer’s It’s a Mad, Mad, Mad, Mad, Mad World, Jeffrey Michael Bays demonstrates how to generate emotion between scenes by contrasting aesthetic choices from one scene to the next.

Pitch Box

The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.

I pitched my idea, now what?

Our goal is to get your pitches made, either by creators or as 8hours original content, coming soon to our site.

Do you really need my email?

Once your idea gets picked up, we’ll notify you by e-mail!