A Nightmare on Elm Street - Renegade Cut
by Renegade Cut
Join Leon Thomas for an analysis of Wes Craven’s A Nightmare on Elm Street (1980), demonstrating how it subverts both the slasher genre and recent critical appraisals that the horror genre has only recently evolved into a vehicle for psychological and philosophical explorations.
Pitch Box
The Pitch Box is a open call for you to pitch an idea you have for a video essay. Interested in the way Kubrick uses color in A Clockwork Orange or how to use dialogue in an opening scene? Tell us what you want to see.