Denis Villeneuve

Denis Villeneuve (born October 3, 1967 in Gentilly, Quebec) is a Canadian film director and writer. In his early career he won Radio-Canada’s youth film competition “La Course Europe-Asie” in 1990-91. He is a three-time winner of the Genie Award for Best Director, for Maelström in 2001, Polytechnique in 2010 and Incendies in 2011. All three films also won the Best Picture award. His 2010 film Incendies represented Canada at the 83rd Academy Awards in the category of Best Foreign Language Film and made the list of nominees. In January 2011 he was selected as one of the top ten film makers to watch.

Style & Technique

Blade Runner 2049

Filmmaking and Cinematography Techniques: Blade Runner 2049
By wolfcrow
Blade Runner - When Humans Lose Their Humanity
By The Closer Look
Blade Runner 2049 - The Evolution of Humanity
By Jack's Movie Reviews
A Scene from Blade Runner 2049 | Anatomy of a Scene
By The New York Times
Academy Conversations: Blade Runner 2049
By Oscars
Blade Runner 2049 (2017) | Script to Screen | Screenplayed
By Screenplayed
Blade Runner 2049 | Action Masterclass
By Rossatron
Blade Runner 2049: Control and Self-Worth
By Ben Bortner
Blade Runner 2049 – Do Androids Dream of Being Human? | Renegade Cut 
By Renegade Cut
Blade Runner 2049: Do Memories Make Us Human? – Wisecrack Quick Take
By Wisecrack
Blade Runner 2049 Side By Side the Original - Visual Comparison
By Thomas Flight
BLADE RUNNER 2049 | Sound - Cinematography - Style
By Browntable
Blade Runner 2049 & the 20-Year Sequel - Movies with Mikey
By FilmJoy
Blade Runner 2049 — The Greatest Sequel Ever Made
By A Matter of Film
Blade Runner 2049's Insights Into Masculinity and Femininity in the Final 30 Minutes
By Gary Nuila
Blade Runner - Loss of Humanity in Dystopian Movies
By Screened
BladeRunner 2049 - Making of BUF
By BUF
Denis Villeneuve Made 'Blade Runner 2049' "By Pure Love of Cinema" | Close Up With THR
By The Hollywood Reporter
In Focus: Tears of Joi (Blade Runner 2049)
By The Long Take
In Search of the Distinctively Human | The Philosophy of Blade Runner 2049
By Like Stories of Old
Symbolism in Blade Runner 2049 | Finding the Pattern of Reality
By Jonathan Pageau
The Beauty Of Blade Runner 2049
By The Beauty Of
The Philosophy of Blade Runner 2049: What is the Soul?
By Hello Future Me
VFX Artist Explains What's Wrong With Modern CGI
By Corridor Crew
VFX Artists React to Bad & Great CGI 6
By Corridor Crew
We Talk With the Cast and Director of Blade Runner 2049
By IGN
Why You Love A Hero Who Doesn't Matter | Blade Runner 2049
By Shane Bertram
Blade Runner 2049: K's Hero's Journey [SPOILER]
By Filmbolism
What Is a Replicant?
By Fandor

Arrival

Arrival — Examining an Adaptation
By Lessons from the Screenplay
Arrival: A Response To Bad Movies
By Nerdwriter1
Arrival Movie's "Dirty Sci-Fi": Remixing the Genre
By The Take by ScreenPrism
Arrival Movie's Language: Talking in Circles
By The Take by ScreenPrism
Strong Female Characters
By Ulrike Venken
ARRIVAL (2016) Ending + Creature EXPLAINED
By FilmComicsExplained
Arrival (2016) - Movies with Mikey
By FilmJoy
Arrival (2016) - Understanding Perspective
By Matthew Brando
Arrival | Ending Scene - Script to Screen - Screenplayed
By Screenplayed
Arrival - Extraterrestrial Contact & Ethics | Renegade Cut
By Renegade Cut
Arrival | Facing the Fear of Existence
By Like Stories of Old
Arrival: The Artistry of Adaptation
By Savage Books
Denis Villeneuve on How He Directed Arrival
By The Directors Cut
DP/30: Arrival, Denis Villeneuve
By DP/30: The Oral History Of Hollywood
DP/30: Arrival, Eric Heisserer
By DP/30: The Oral History Of Hollywood
DP/30: Arrival, Joe Walker (super-sized chat w/ the editor)
By DP/30: The Oral History Of Hollywood
The Cinematography of ARRIVAL | Flick Head
By Connor White
The Effective Science Fiction of Arrival
By Screened
The Ending Of Arrival Explained
By Looper
What Arrival Says About Humanity
By Jack's Movie Reviews
ARRIVAL ANALYSIS - Communicating Complexity
By Harry's Moving Castle

Sicario

Prisoners

Enemy