Denis Villeneuve
Denis Villeneuve (born October 3, 1967 in Gentilly, Quebec) is a Canadian film director and writer. In his early career he won Radio-Canada’s youth film competition “La Course Europe-Asie” in 1990-91. He is a three-time winner of the Genie Award for Best Director, for Maelström in 2001, Polytechnique in 2010 and Incendies in 2011. All three films also won the Best Picture award. His 2010 film Incendies represented Canada at the 83rd Academy Awards in the category of Best Foreign Language Film and made the list of nominees. In January 2011 he was selected as one of the top ten film makers to watch.
Style & Technique
Denis Villeneuve - Crafting Morality Through Mystery
By Channel Criswell
Denis Villeneuve: Directorial Trademarks
By Fandor
Arrival — How Villeneuve Balances Fear and Intrigue [Director's Playbook]
By StudioBinder
Arrival's Hidden Meaning
By Logos Made Flesh
Blade Runner 2049 — Why Great Movies Fail | Anatomy Of A Failure
By Filmento
Denis Villeneuve & His Cinema of Ambiguity — Directing Styles Explained
By StudioBinder
Denis Villeneuve on How He Directed Arrival
By The Directors Cut
Denis Villeneuve: Shallow Focus
By Jacob T. Swinney
Denis Villeneuve Through Glass || Video Essay
By Cameron Beyl
How Denis Villeneuve Explores Humanity
By Mr Nerdista
How Denis Villeneuve Pushes his Characters
By Screened
Mastering the Movie Color Palette: Denis Villeneuve
By StudioBinder
The Perfect Atmosphere of Blade Runner 2049
By iamthatroby
Blade Runner 2049
Filmmaking and Cinematography Techniques: Blade Runner 2049
By wolfcrow
Blade Runner - When Humans Lose Their Humanity
By The Closer Look
Blade Runner 2049 - The Evolution of Humanity
By Jack's Movie Reviews
A Scene from Blade Runner 2049 | Anatomy of a Scene
By The New York Times
Academy Conversations: Blade Runner 2049
By Oscars
Blade Runner 2049 (2017) | Script to Screen | Screenplayed
By Screenplayed
Blade Runner 2049 | Action Masterclass
By Rossatron
Blade Runner 2049: Control and Self-Worth
By Ben Bortner
Blade Runner 2049 – Do Androids Dream of Being Human? | Renegade Cut
By Renegade Cut
Blade Runner 2049: Do Memories Make Us Human? – Wisecrack Quick Take
By Wisecrack
Blade Runner 2049 Side By Side the Original - Visual Comparison
By Thomas Flight
BLADE RUNNER 2049 | Sound - Cinematography - Style
By Browntable
Blade Runner 2049 & the 20-Year Sequel - Movies with Mikey
By FilmJoy
Blade Runner 2049 — The Greatest Sequel Ever Made
By A Matter of Film
Blade Runner 2049 — Why Great Movies Fail | Anatomy Of A Failure
By Filmento
Blade Runner 2049's Insights Into Masculinity and Femininity in the Final 30 Minutes
By Gary Nuila
Blade Runner - Loss of Humanity in Dystopian Movies
By Screened
BladeRunner 2049 - Making of BUF
By BUF
Denis Villeneuve Made 'Blade Runner 2049' "By Pure Love of Cinema" | Close Up With THR
By The Hollywood Reporter
In Focus: Tears of Joi (Blade Runner 2049)
By The Long Take
In Search of the Distinctively Human | The Philosophy of Blade Runner 2049
By Like Stories of Old
SoundWorks Collection: The Sound of Blade Runner 2049
By Michael Coleman
Symbolism in Blade Runner 2049 | Finding the Pattern of Reality
By Jonathan Pageau
The Beauty Of Blade Runner 2049
By The Beauty Of
The Perfect Atmosphere of Blade Runner 2049
By iamthatroby
The Philosophy of Blade Runner 2049: What is the Soul?
By Hello Future Me
VFX Artist Explains What's Wrong With Modern CGI
By Corridor Crew
VFX Artists React to Bad & Great CGI 6
By Corridor Crew
We Talk With the Cast and Director of Blade Runner 2049
By IGN
Why You Love A Hero Who Doesn't Matter | Blade Runner 2049
By Shane Bertram
Arrival
Arrival — Examining an Adaptation
By Lessons from the Screenplay
Arrival: A Response To Bad Movies
By Nerdwriter1
Arrival Movie's "Dirty Sci-Fi": Remixing the Genre
By The Take by ScreenPrism
Arrival Movie's Language: Talking in Circles
By The Take by ScreenPrism
Strong Female Characters
By Ulrike Venken
ARRIVAL (2016) Ending + Creature EXPLAINED
By FilmComicsExplained
Arrival (2016) - Movies with Mikey
By FilmJoy
Arrival (2016) - Understanding Perspective
By Matthew Brando
Arrival | Ending Scene - Script to Screen - Screenplayed
By Screenplayed
Arrival - Extraterrestrial Contact & Ethics | Renegade Cut
By Renegade Cut
Arrival | Facing the Fear of Existence
By Like Stories of Old
Arrival — How Villeneuve Balances Fear and Intrigue [Director's Playbook]
By StudioBinder
Arrival: The Artistry of Adaptation
By Savage Books
Arrival's Hidden Meaning
By Logos Made Flesh
Denis Villeneuve on How He Directed Arrival
By The Directors Cut
DP/30: Arrival, Denis Villeneuve
By DP/30: The Oral History Of Hollywood
DP/30: Arrival, Eric Heisserer
By DP/30: The Oral History Of Hollywood
DP/30: Arrival, Joe Walker (super-sized chat w/ the editor)
By DP/30: The Oral History Of Hollywood
How I Wrote Arrival
By Behind the Curtain
The Beauty Of Arrival
By The Beauty Of
The Cinematography of ARRIVAL | Flick Head
By Connor White
The Effective Science Fiction of Arrival
By Screened
The Ending Of Arrival Explained
By Looper
What Arrival Says About Humanity
By Jack's Movie Reviews
ARRIVAL ANALYSIS - Communicating Complexity
By Harry's Moving Castle
Sicario
Sicario: The Importance of Borders
By Storytellers
Taylor Sheridan - Defining The Neo-Western
By Jack's Movie Reviews
Tyler Sheridan and the Art of the Frontier Trilogy
By Ryan Hollinger
1 Brilliant Moment of Tension
By CineFix
ARRI Interview: Roger Deakins about "Sicario"
By ARRIChannel
Kate Is The Real Villain Of Sicario
By Shane Bertram
Sicario: An Exploration of Good and Evil
By A Matter of Film
‘Sicario’ Q&A with Roger Deakins CBE ASC BSC
By BSC
Sicario - Renegade Cut
By Renegade Cut
Sicario - The Dehumanization of War
By Jack's Movie Reviews
SICARIO | The Land of Wolves
By MUST SEE FILMS
Sicario: The Mirage of a Moral World
By Digging Deeper
The Land of Wolves: The Thematic Parallels Between Sicario and Wind River
By Tyler Mowery
The use of color in Sicario
By Morgan McGivern
Prisoners
Prisoners - Exploring Morality
By Jack's Movie Reviews
Prisoners: Symbolism Done Right
By Storytellers
Prisoners | A Cryptic Maze
By CineFrames
Prisoners Ending Explained
By Tom The Critic
PRISONERS | Prepare for the Worst
By MUST SEE FILMS
Understanding Prisoners (2013) | Movie Analysis
By Film is just Moving Pictures
Why the Last 30 Seconds of ‘Prisoners’ is Perfect Storytelling
By H. Perry Horton
Prisoners - Faith on Trial
By Cinecrest Studios