Criterion Collection

Our favorite videos on every Criterion release in the 8hours collection
Criterion, Criteria | a short vlog
By KyleKallgrenBHH
Rosemary's Baby Explained: Realism & Control
By The Take by ScreenPrism
Eraserhead- Exploring Nowhere
By Colin Earner
1934: It Happened One Night - Defining The Screwball Comedy
By One Hundred Years of Cinema
Paul Thomas Anderson | Visual Literacy
By Entertain The Elk
The Bad Sleep Well (1960) - The Geometry of a Scene
By Tony Zhou
Bicycle Thieves - Renegade Cut
By Renegade Cut
1928: The Powerful Psychology of the Close Up
By One Hundred Years of Cinema
How Akira Kurosawa Framed Rashômon
By Mr Nerdista
The Princess Bride – The Importance of Good Worldbuilding
By Jack's Movie Reviews
Quiet Cinematography - Floating Weeds
By The Royal Ocean Film Society
Barry Lyndon (1975) - The Use of the Zoom Shot
By Marta Ruggeri
The Tree of Life | Crafting an Existential Masterpiece
By Like Stories of Old
Godzilla – The Soul of Japan
By kaptainkristian
The Darjeeling Limited: How Brothers Communicate
By Nerdwriter1
Videodrome - Renegade Cut
By Renegade Cut
What Is the Mind? - Being John Malkovich | Renegade Cut
By Renegade Cut
The Before Trilogy- How to Have a Conversation
By The Royal Ocean Film Society
Rushmore: Portrait of Wes Anderson as a Young Man
By The Take by ScreenPrism
The Graduate and the Perpetuation of Loneliness
By Eyebrow Cinema
How To Terrify The Audience
By The Closer Look
Stalker | Sculpting in Sound
By Alpha-Alpaca-Pack
Y Tu Mamá También: Narrating Identities
By We Need to Talk About Film
Fantastic Mr. Fox - Wes Anderson's Worldbuilding
By Jack's Movie Reviews
1939: Stagecoach - How John Ford saved the Western
By One Hundred Years of Cinema
1940: Rebecca - Hitchcock's obsessions... Love, Violence and the Psycho-sexual
By One Hundred Years of Cinema
Breathless: How World War II Changed Cinema
By Nerdwriter1
American (Fever) Dream: Fear and Loathing in Las Vegas
By Film Radar
Antichrist - Renegade Cut
By Renegade Cut
Dogma & Theology - Life of Brian | Renegade Cut
By Renegade Cut
How Antonioni Uses Locations
By The Discarded Image
How Brazil Got Its Sci-Fi Dystopia Right
By Georg Rockall-Schmidt
How Fritz Lang Trolled the Nazis
By CinemaTyler
In The Mood For Love: Frames Within Frames
By Nerdwriter1
Le Samouraï - A World Without Humanity
By Jack's Movie Reviews
On the Waterfront - Aspect Ratio Visual Essay
By criterioncollection
Staff Pick
PlayTime- Controlled Chaos
By The Royal Ocean Film Society
Scorsese’s The Age of Innocence: An Analysis
By Is This Just Fantasy?
Seven Samurai - Drama Through Action
By Channel Criswell
THE GAME: David Fincher & The Lonely Protagonist
By Mr Nerdista
The Great Dictator: The End of Silence - Brows Held High
By KyleKallgrenBHH
The Killing (Kubrick) vs. The Asphalt Jungle (Huston): Side by Side
By Lost In The Movies
THE WES ANDERSON COLLECTION CHAPTER 3: THE ROYAL TENENBAUMS
By RogerEbert.com
What Color Means in “Paris, Texas”
By Vaughan Supple
What Wes Anderson's First Film Teaches Us About His Style | Bottle Rocket
By Thomas Flight
What's So Hot About Some Like It Hot
By The Take by ScreenPrism
Why Valley of the Dolls Became a Surprise Classic
By The Take by ScreenPrism
Hard Boiled - Break Down: Action Film Analysis
By Rossatron
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Paradox
By BREADSWORD
Is FRANCES HA (2012) The Most Relatable Film... Ever? - A Video Essay
By iamthatroby
Pan's Labyrinth: Disobedient Fairy Tale
By Nerdwriter1
3 Brilliant Moments of Blocking (in Kurosawa's High and Low)
By CineFix
M: Poisoned by Evil - Cinema Cartography
By Cinema Cartography
Staff Pick
Wong Kar Wai's Chungking Express - Speed and Time
By A Void In Frame
184. How Carl Dreyer Created a Cinematic Uncanny
By Kevin B. Lee
3 Women Analysis: What Do The Pool People Mean?
By Film Formula
Acting in MIKEY AND NICKY
By criterioncollection
Anatomy of a Gag: BEING THERE
By criterioncollection
Andrei Rublev - Sin, Belief and Reward | Renegade Cut
By Renegade Cut
Being John Malkovich: The Cinematic Experience
By Moss Arts
Blood Simple: It's The Same Old Postmodernism | Film Analysis
By Take Me To Your Cinema
BLUE VELVET | How the Darkness Mirrors the Light
By MUST SEE FILMS
Boyhood: How To Write a Passive Protagonist | Stories As Lessons
By Nolan Dean
Breaking the Waves - Film Essay
By Sam Davies
Camera Angles Movement: Rules of the Game, by Jean Renoir
By wolfcrow
Cameraperson to Person: A Video Essay
By Connor Bateman
Carlos Reygadas on Storyboarding and Scripting JAPÓN
By criterioncollection
Charles Burnett, Danny Glover, and Sheryl Lee Ralph on TO SLEEP WITH ANGER
By criterioncollection
Constructive Editing in Robert Bresson’s Pickpocket
By David Bordwell
Dead Man Analysis - Why is William Blake in Purgatory?
By Subtext and Symbolism
Denarration in Michael Haneke’s funny FUNNY games GAMES
By Miklos Kiss
Do The Right Thing – Turn Up the Heat
By The Royal Ocean Film Society
Editing Don’t Look Now
By criterioncollection
Elliptical Editing in Vagabond - Film Art
By criterioncollection
Essential Films: 8 1/2 (1963)
By Essential Films
Essential Films: The 400 Blows (1959)
By Essential Films
Expressionism in The Night of the Hunter
By Vaughan Supple
Fantastic Films: Hausu and Embracing Cinematic Artifice
By Fool Fantastic
'Fire Walk With Me’ Soundtrack Analyzed - Score UnCovered
By Old Tin Man
First Fassbinder
By Matthew Cheney
How Ingmar Bergman Uses Imagery in “The Virgin Spring” (1960)
By LA CINEASTE
Hunger: The Power of Nonverbal Communication
By American Night
Ikiru (1952) The Human Spirit | Film Analysis
By Thomas Pollock
Inside Llewyn Davis: Four Reasons to Watch It Again
By Lanny Boyer
Insomnia - Moral Compromise
By Cinecrest Studios
La Haine - So Far, So Good...
By Channel Criswell
Male Gaze Theory in “Woman in the Dunes” (1964)
By LA CINEASTE
McCabe & Mrs. Miller: A Video Essay
By Steven Santos
Mishima – Schrader's Greatest Lonely Man
By Film Qualia
Moonrise Kingdom: The Power of Rituals
By Storytellers
Notes on Nostalgia – American Graffiti / Dazed and Confused
By Film Qualia
Opening Choices- Notorious
By John Gibbs
Opening Movements in Ophuls: Caught (and Madame de…)
By John Gibbs
Persona - The hopeless dream of Being | Cinema Cartography
By Cinema Cartography
Peter Cowie on THE MAGIC FLUTE
By criterioncollection
Ran: The Shakespearean Apocalypse – Summer of Shakespeare Fan Pick #4
By KyleKallgrenBHH
Robocop - Exploring an Action Masterpiece
By Rossatron
Screenplay Formula: Three Colors: Blue
By Film Formula
Spartacus – Renegade Cut
By Renegade Cut
The Bergman Trilogy - Renegade Cut
By Renegade Cut
The Color of Pomegranates: A Failed Video Essay
By KyleKallgrenBHH
The Face of Another - Videography and Identity | Cinema Cartography
By Cinema Cartography
The Films of Steven Soderbergh :: Sex, Lies and Videotape
By Hello Wizard
The Last Temptation of Christ - Renegade Cut
By Renegade Cut
The Man Who Knew Too Much - Restoration Demonstration
By criterioncollection
The Remaker: The Manchurian Candidate 1962 vs. 2004
By Alternating Line
The Seventh Seal - Renegade Cut
By Renegade Cut
Staff Pick
The Significance of Silence in Cinema
By LA CINEASTE
The Thin Blue Line – Finding Truth in Lies
By Tyler Mowery
The Third Man - The Editing Of…
By Love of Film
The Virgin Suicides - Renegade Cut
By Renegade Cut
The Winkie's Diner Scene in Mulholland Dr.
By Anna Catley
Throne of Blood: Noh Shakespeare, No Problems! - Summer of Shakespeare
By KyleKallgrenBHH
UN/CONTAINED: A Video Essay on Andrea Arnold’s 2009 Film FISH TANK
By Catherine Grant
Under the Influence: Morgan Neville on F FOR FAKE
By criterioncollection
Under the Influence: Steve James on NASHVILLE
By criterioncollection
What I Learned From Watching: Breathless
By CinemaTyler
What Terrence Malick's First Film Teaches Us About His Style
By Thomas Flight
What The Coen Brother's First Film Teaches Us About Their Style - Blood Simple
By Thomas Flight
Who Has the Power?
By Jennine Lanouette
Why Night of the Living Dead Matters
By Eyebrow Cinema
Yojimbo - The Dog
By Georg Rockall-Schmidt
All 15 Split Diopter Shots in BLOW OUT
By Vashi Nedomansky
Michael Mann’s THIEF (1981)
By Omar Ahmed
Solaris | The Mirror of a Mirror
By Renegade Cut
The Remaker: Robocop (1987) vs. Robocop (2014)
By Alternating Line