Film Historian Foster Hirsch | The Origins of Film Noir

Cinematographer Carolina Costa | Cinematography Breakdown: Camera Movement

Author/Professor Noah Isenberg | Drag Artistry in Some Like It Hot

Writer/Director David Lowery on Super 16mm | Creating That Gritty 70s Look Today

Philosopher Katja Vogt and Artist Jens Haas on Philosophical Relativism in The Long Goodbye

Film Historian Foster Hirsch | What is Film Noir?

Writer/Director David Lowery on A Ghost Story | Using Iconography to Breathe Life Into a Bedsheet

Film Historian Foster Hirsch on Film Noir | Visual Style

Editor/Professor Richard Pepperman on Editing | The Benefits of Mechanical Cutting

Writer/Director David Lowery on A Ghost Story | How Aspect Ratio Affects Storytelling

Director/Professor Thomas Barnes on Directing Actors | Part 2: How Tasks & Blocking Bring Out Emotions

Cinematographer Carolina Costa on the Technique of Visual Veiling

Cinematographer Eric Lin on Utilizing Light to Accentuate Character

Foster Hirsch on Film Noir | Characters and Tropes

Cinematographer Carolina Costa on Apocalypse Now | Storytelling Through Eyelines

Writer/Director David Lowery on The Old Man & The Gun | Evolution of a Scene

Author/Professor Noah Isenberg on Billy Wilder & The Making of Some Like It Hot

Cinematographer Eric Lin on Vintage Lenses | Creating a Mood for Hearts Beat Loud

Director/Professor Thomas Barnes on Directing Actors | Part 1: Giving Clear and Concise Notes

Citizen K reviewed by Mark Kermode

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Anakin VS Obi-Wan: A Perfectly Balanced Duel (Why It’s Great)

Star Wars: Breaking Down the Duels - The Phantom Menace

Why MCU Spider-Man NEEDS The Green Goblin

Spotlight on...David Cronenberg

107 Facts About Star Wars Episode V: The Empire Strikes Back! (Cinematica)

Director David Cronenberg on Working with Actors

107 Facts About Star Wars Episode IV: A New Hope! (Cinematica)

107 Facts About Star Wars Episode VI: Return of The Jedi